Rubin's Vase Ambiguous Figure: The figure in the image can appear as a vase or two faces directly opposite one another.
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Illusion Credit

Edgar John Rubin (1886 - 1951), Danish psychologist and philosopher.

Instructions

If you see a vase: look at the edges of the vase either side and think of the innermost indent as the tip of the nose outline, the indent above that as the eye outline, the double indent below as the mouth outline. If you see two faces: think of the edges of each face forming the outline of a symmetrical vase. 

Effect

You should experience a 'Gestalt switch' between seeing the image as a vase and two opposing faces.

Rubin's Vase Ambiguous Figure: The figure in the image can appear as a vase or two faces directly opposite one another.
Media Licence:
Attribution-NonCommercial-NoDerivs 

Illusion Credit

Edgar John Rubin (1886 - 1951), Danish psychologist and philosopher.
  • Rubin's Vase
    Rubin's Vase Ambiguous Figure: The figure in the image can appear as a vase or two faces directly opposite one another.
    Media Licence:
    Attribution-NonCommercial-NoDerivs 
    Media Source:
    By John Smithson 2007 at English Wikipedia

The Rubin’s Vase Ambiguous Figure (also known as Rubin’s Face, Figure-Ground Vase) was discovered by Edgar John Rubin (1886 - 1951), Danish psychologist and philosopher. The figure was first published in Rubin’s doctoral thesis, Synsoplevede figurer, in 1915.  

The Rubin’s Vase Ambiguous Figure belongs in a large class of ambiguous illusions in which a stimulus be seen or heard or toherwise perceived in two or more sharply distinct ways. There are many example of ambiguous figures which you can search for in this illusions index.

There is some controversy over how the Rubin’s Vase Ambiguous Figure works. It is generally agreed that the retinal image is constant when experiencing the illusion, but what is not agreed is whether the visual experience of the figure changes when the perspectival switch takes place between seeing the vase versus the two opposed faces in profile, or whether the experience itself does not change, and it is some post-experiential belief, judgment, or other mental process which changes. Rubin’s Vase, among other ambiguous figures, has been cited in debates over this issue (Silins 2015: §2.4).

This issue is intertwined with more general questions about the modularity of mind and cognitive penetration. To explain: on the hypothesis that the mind is modular, a mental module is a kind of semi-independent department of the mind which deals with particular types of inputs, and gives particular types of outputs, and whose inner workings are not accessible to the conscious awareness of the person – all one can get access to are the relevant outputs. So, in the case of visual illusions, for example, a standard way of explaining why the illusion persists even though one knows that one is experiencing an illusion is that the module, or modules, which constitute the visual system are ‘cognitively impenetrable’ to some degree – i.e. their inner workings and outputs cannot be influenced by conscious awareness. It is still an open question regarding the extent to which perceptual modules are cognitively impenetrable, and Rubin’s Vase belongs in a large class of illusions which are employed in debates to try and answer that question. One way in which ambiguous figures like Rubin’s Vase might support the claim that visual processing is impenetrable to a significant degree is that the Gestalt switch is hard to control – often one will see Rubin’s Vase one way or another even if one is trying to see it the other way. Macpherson discusses this phenomenon and its implications in her 2012 paper. Further, there is some evidence from neuroscience that, for at least some ambiguous figures, there are significant changes in early-stage visual processing in the brain when the Gestalt switch is taking place, which might support the hypothesis that Gestalt switches in general are changes in the experience itself rather than in downstream mental processes like beliefs about that experience (see Kornmeier & Bach 2006, 2012).

Finally, ambiguous figures have been cited in debates about whether the nature of experience can be fully accounted for by appealing only to its representational content. Some philosophers and cognitive scientists distinguish between the phenomenal character of an experience – i.e. what it is like for a conscious subject to undergo that experience – and its representational content – i.e. what the experience is about. Some philosophers, known as ‘representationalists’ argue that the phenomenal character of experience can be accounted for fully in terms of the representational content of experience. One motivation for this argument is that representational content seems easier to ‘naturalise’ – i.e. for its nature to be explained in purely materialist terms by appealing solely to physical entities like brain states. Phenomenal character, on the other hand, seems much more resistant to attempts to naturalise it. But if phenomenal character can be fully accounted for in representationalist terms, then this would make the naturalising of phenomenal character seem much more tractable. And, ambiguous figures are among the key examples discussed in debates about whether phenomenal character can be fully accounted for in representationalist terms. For example, Macpherson (2006) has argued that the changes in phenomenal character that occur when experiencing some ambiguous figures cannot be explained in naturalistic, representationalist terms. Macpherson’s 2006 paper provides an overview of the general debate and its many moving parts.

References

Rubin, E., 1915. Synsoplevede figurer. Studier i psykologisk Analyse. Første Del. Copenhagen and Christiania: Gyldendalske Boghandel, Nordisk Forlag.

Kornmeier, J. and Bach, M., 2005. The Necker cube—an ambiguous figure disambiguated in early visual processing. Vision Research, 45(8), pp.955-960.

Kornmeier, J. and Bach, M., 2012. Ambiguous figures–what happens in the brain when perception changes but not the stimulus. Frontiers in Human Neuroscience, 6.

Necker, L.A., 1832. Observations on some remarkable optical phaenomena seen in Switzerland; and on an optical phaenomenon which occurs on viewing a figure of a crystal or geometrical solid. London and Edinburgh Philosophical Magazine and Journal of Science.

Silins, N., 2015. Perceptual Experience and Perceptual Justification. In: Zalta, E. N., ed. The Stanford Encyclopedia of Philosophy. Metaphysics Research Lab, CSLI, Stanford University.

Macpherson, F., 2006. Ambiguous figures and the content of experience. Noûs 40 (1):82-117.

Macpherson, F., 2012. Cognitive penetration of colour experience: Rethinking the issue in light of an indirect mechanism. Philosophy and Phenomenological Research, 84(1), pp.24-62.

How To Cite This Article

Author and Citation Info

Please cite this article as follows:

Donaldson, J. (July 2017), "Rubin's Vase" in F. Macpherson (ed.), The Illusions Index. Retrieved from https://www.illusionsindex.org/i/rubin-s-vase.

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This article is licensed under Creative Commons (CC BY-NC_SA 4.0)

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